BIO

Magalí Fernández is a singer, teacher and graduate in Arts (UBA - FFyL).

She has been performing as a singer for different groups and genres since 2012. In 2020 she released Don't get scared, her first album of jazz standards featuring Mariano Loiácono, Pablo Raposo, Jerónimo Carmona and Alejandro Beelmann.

Since then, she has performed with various groups on the main stages of the City such as the Buenos Aires and Escobar Jazz Festivals, CCSM Jazzología cycle , Bebop Club, Virasoro Bar, Thelonious Club and Borges 1975. Since 2023, in addition, she  presentes in different formats in music clubs in Germany.

Since 2022, she is the singer of Why Not? Big band, directed by Martín Pantyrer.

In 2019, edited Un eco en la penumbra with the pianist Ulises Avendaño; throughout the album, they explore different facets of American song in a duet format. Between 2017 and 2019, integrated the Juan Izkierdo Group, small Latin American fusion orchestra, participant of the Bienal de Arte Joven 2018.

Her theoretical-musical training began in the Facultad de Filosofía y Letras of Buenos Aires University, where she graduated of Bachelor of Musical Arts and in the Escuela de Música Popular de Avellaneda, where she studied the Jazz Singing Technician . Her private training in Jazz continued with teachers such as Mariano Loiácono, Juan Cruz de Urquiza, Lucía Boffo y Julia Moscardini. In the field of vocal exploration , in the EMPA knew the Rabine Method  for Functional Voice Education that it definitively transformed her way of understanding the voice and is the foundation of her artistic and teaching work. In this area, she attended seminars given by  Eugen Rabine between 2011 y 2013 and trained in Germany with masters as Eugen Rabine, Uwe Götz, Hilkea Knies and Christoph Wendell; and in Argentina with Elisa Viladesau y Roxana Peralta.

Currently, it is in the post-production stage of Gone with the wind, the next album of her quintet and continues to perform with Why not? Big band. Meanwhile, she writes and wonders about the expressive possibilities of the human voice. In the teaching field, she is in the last year of training for CRT, while continuing his training with Elisa Viladesau and works as teacher of Singing FoBa (EMPA), Singing Jazz (EARI) and History of Musical Thought (UP).